Woman Yves Klein Blue Painting

This colour reminiscent of the lapis lazuli used to paint the madonnas robes in medieval paintings was to become known as international klein blue ikb. Yves klein used naked women as human paintbrushes to make his anthropometry paintings which were produced as elaborate performances in front of an audience. Klein would cover a naked woman sometimes a few women in international klein blue and she would put her painted body on the canvas thus rendering her own figure the paintbrush.
woman yves klein blue painting

Klein in bow tie and suit would conduct the women as they covered themselves in paint a colour he patented as international klein blue and made imprints of their bodies.

Woman yves klein blue painting. Yves klein 192862 untitled anthropometry ant 100 1960 dry pigment and synthetic resin on paper mounted on canvas 1448 x 2995 cm 57 x 118 in hirshhorn museum and sculpture garden smithsoniam institution washington dc one early strategy involved exhibiting troughs of pure loose pigment on the floor as a brilliant carpet of blue. His method was radical and unorthodox. Elena palumbo mosca covered her body in blue paint for yves kleins anthropometry works in a paris art gallery in 1960 three naked women covered themselves in blue paint and made impressions of. Art world do you really really really love yves klein.

Well now you can paint your entire home in his proprietary blue. Starting in 1962 yves klein produced a series of plaster replicas of the nike coated in dry pigment of his yves klein blue affixed by resin entitled victoire de samothrace. 1962 french untitled red monochrome dry pigment and synthetic resin on paper 1957 yves klein was a french artist considered an important figure in post war european art. Heres your chance to bring fine art supplies into your living room.

All 11 of the canvases were priced differently. Yves kleins signature blue paint is now for sale so its easier than ever to recreate a priceless artwork visitors look at the artwork monochrome blue without title 1960. The paintings were attached to poles placed 20 cm away from the walls to increase their spatial ambiguities.